Tom schilling unsere mГјtter unsere vГ¤ter

TOM SCHILLING UNSERE MГњTTER UNSERE VГ„TER FULL

The story, which gives the lie to that naive view, jumps between three fronts: the war in the trenches, the military hospitals just behind them and civilian life. With the exception of Viktor, who can read the writing on the wall, all of these young people think the war will be over by Christmas, and everything will return to normal. Their pals Viktor (Ludwig Trepte), a Jewish tailor, and his Christian girlfriend, Greta (Katharina SchГјttler), an aspiring singer, stay behind. Joining them is Charlotte (Mirian Stein), an idealistic army nurse with an as-yet-unrequited love for Wilhelm.

TOM SCHILLING UNSERE MГњTTER UNSERE VГ„TER FULL

When the film opens, sin is already in full flower.Д¬overing a period of about four years, from the summer of 1941 until just after German capitulation in 1945, вЂњGeneration WarвЂќ is narrated by Wilhelm Winter (Volker Bruch), a young and honorable army officer who is heading for the Eastern Front with his younger brother Friedhelm (Tom Schilling), a bookish and cynical enlisted man. While admirably delineating moral decay, which eats away at one character like a virus, the movies never really get at the seed of evil.ДЄnd maybe that never can be explained.

The films are highly entertaining and highly disturbing, in the latter case for both the right and the wrong reasons. вЂњGeneration WarвЂќ has mixed success in explaining the atrocities that were committed. IsnвЂ™t making monsters out of people just as bad as trying to find the human heart that beats in the breast of the criminal? In truth, however, вЂњGeneration WarвЂќ is no more convenient than any number of American World War II dramas that do exactly the opposite and demonize all Germans by turning every one, without nuance, into a frothing-at-the-mouth stormtrooper. Crafting a story around the fates of five 20-year-old best friends from Berlin, none of whom is a Nazi, and one of whom is a Jew, is a convenient fiction, some said. The essence of the complaints was that it let a dying generation off too easily - specifically, the generation that built and fought for the Third Reich. Some critics found fault with the storyвЂ™s relegation of Nazis to a background role and its focus on ordinary, or at least, racially tolerant Germans. theaters as a two-part film, averaged more than 7В million viewers each night, not everyone loved it. Though the World War II drama, now repackaged for U.S. When вЂњGeneration WarвЂќ aired on German television last year under the title вЂњOur Mothers, Our Fathers,вЂќ the three-night miniseries had people across the country arguing its merits, both artistic and political.

Tom schilling unsere mГјtter unsere vГ¤ter